Irish Gods – Pagan Celtic Mythology

The Gods and Goddesses of the Irish were/are a little different from others in Celtic Mythology from Britain and Europe, and it is important to differentiate and understand what we mean by Irish Gods, specifically.

The term ‘Celtic’ is just a scholarly descriptor, when used correctly, to talk about Indo-European tribes in Europe who were grouped together (by outside observers) based on ethnolinguistic similarities – so, mainly their language, art, and other cultural indicators.

Basically what that means is that ‘the Celts’ doesn’t describe a single cohesive group of people, and it’s certainly not interchangeable with ‘the Irish’. Or even, ‘people who lived on the island we now call Ireland’!

Irish Gods, therefore, are their own unique thing. And that’s what we’ll be talking about here. This is just an intro article, so I’ll have to be brief, but you can also find a Pronunciation Guide for the Irish Gods on my YouTube Channel >>> Click Here.

An Mórrígan – The Morrígan or Mórrígan, also known as Morrígu, or Mór-Ríoghain in Modern Irish. Her name can be translated as ‘Great Queen’, or ‘Phantom Queen’. This Irish Goddess is mainly associated with prophecy, battle and sovereignty. She can appear as a crow, who we call the Badbh (who is another of the Irish Gods, at the same time as being a form of the Great Queen). In Neo Pagan terms she is often reduced to a ‘war goddess’, and misunderstood as a ‘Goddess of Sex and Battle’. Her primary function though, in my experience, is as a bringer of change, and a Guardian of Ireland – both in this world and the Irish Otherworld.

Áine – An Irish Goddess of the seasons, wealth/prosperity, and sovereignty, Aíne’s name could mean any of the following – ‘brightness, glow, joy, radiance; splendour, glory, fame’. She has a strong association with Samhraidh (Grianstad an tSamhraidh – Midsummer) and the sun in general, and can be represented by a red mare (McKillop, 1998). Some folk talk of her in terms of love and fertility, and she is definitely in the running as one of Ireland’s primary ‘Fairy Queens’. The hill of Knockainey (Cnoc Áine in Irish) is named for her, and up to as recently as 1879, it was recorded that local people were conducting rites involving fire, the blessing of land, animals and crops, in her honour.

Brighid – As Brigit, Brigid, Brighid, or Bríg, this Irish Goddess has been with the Irish Gods from pre-historic Ireland as one of the Tuatha Dé Danann, right through to modern Christian tradition in the form of our primary Catholic Saint. Her name is generally translated as ‘exalted one’, and she is a daughter of the Dagda. As one of the Irish Gods, she is associated with the Earraigh, the Spring (and particularly the Pagan Festival of Imbolg or Imbolc), and with fertility, and through her fire she brings healing, poetry and smithcraft. As Saint Brigid she shares many of the goddess’s associations, with a specific continuity of her sacred flame.

An Dagda – One of the Tuatha Dé Danann, whose name means ‘the Good God’, the Dagda is the ‘Great Father’ (Ollathair), chieftain, and druid of the tribe (Koch, 2006). He controls life and death through his magical club/staff (an Lorg Mór), and can manage the weather, crops, the seasons, and time itself. In general, his associations are the earthly ones of fertility, agriculture, strength, as well as the Otherworldly ones of magic, druidry and wisdom. He is the husband of the Mórrígan, and the Dagda’s Tools his other tools include the cauldron which never runs empty, and a magic harp which can control human emotions and change the seasons.

Manannán Mac Lír – This deity now, is not specifically Irish, I’ll admit, and definitely crosses the boundaries with the Celtic Gods of other nations. He does however, appear often in Irish mythology, and so has definitely earned his place amongst the Irish Gods. Manannán or Manann, also known as Manannán Mac Lir (‘son of the sea’) is, as you may have guessed, a God associated with the sea… but he also has very strong connections to the Otherworld as a guardian and guide, and so with Adventures or Journeys (Eachtraí nó Immrama) there. He owns a boat named Scuabtuinne (‘wave sweeper’), a chariot that is drawn across the top of the waves as if on land by the horse Aonbharr (‘one mane’, or possibly, ‘water foam’). He also carries – and sometimes loans out – a sword named Fragarach (‘the answerer’), and a cloak of invisibility (an féth fíada).

This is only a brief introduction to a very few of the Irish Gods, but you can get a better idea of who they are (and how to work with them) individually by clicking their names above, OR… through our class – Meeting Irish Gods – at the Irish Pagan School.

Irish Pagan Resources – February 2019

On this blog, and in the weekly Irish Pagan Resources emails through our community mailing list, we cover a variety of topics, including: Irish Mythology, Irish History, Irish Culture, Irish Spirituality, Irish Storytelling & Irish Travel.

Or, really, whatever catches my interest that week?!

I thought it might be useful to provide a monthly collection of Irish Pagan resources here, under each heading. If you have any further recommendations yourself, comment below!

Irish Mythology

First, a warning… When we’re looking for authentic resources in Irish mythology, we often come across obviously poor materials. If there’s sparkly gifs flashing, that’s your first clue. But some of em are sneaky.
This for example – Fairies of the Irish Mythology – from The Irish Fireside, Volume 1, Number 24, December 10, 1883

It may LOOK like ye olde academic quality source material. But the reality is that it’s a pompous piece of colonial crap, with butchered Irish language references and arrogant assumptions about the uncivilised native savage.

Best stick to Daimler. Or, I did a whole class on the Sidhe.

Irish History

So, Britain’s in a right oul mess too, aren’t they? Seems like a good time to dust off this article – Northern Ireland, a Beginner’s Guide.

Irish Culture

We’re still a bit of a mixed bag here when it comes to equality in our society. While we have the Gender Recognition Act, which is amazing for Trans people in our community, we also have the likes of the Iona Institute and Glinner polluting our air. I’m not going to link to them – look them up, or just trust me they’re vile.

Irish Spirituality

Clann Dord Fiann – “Tradition is the transmission of customs or beliefs from generation to generation, or the fact of being passed on in this way.”

This is a new group in Ireland, working with authentic Irish source material and genuine relationship to the land, and I’m only delighted to see them starting up. Find them on Facebook.

Irish Storytelling

I learned a while back that my good friend Joe Perri of Wolf Mercury Photography had NEVER HEARD OF EDDIE LENIHAN. Honestly, it’s kinda put me in a panic – I mean, who else out there isn’t aware of out storytelling national treasure? In case that’s you… Eddie storytelling live in a Pub. His beard scares me, but you know, each to his own. (Check this one especially for the Biddy Early reference).

Irish Travel

I don’t think I’ll ever be able to recommend any other Travel company than Land Sea Sky Travel. Vyviane is just too wonderful. Check out what’s on offer.

When you’re looking for authentic Irish Pagan Resources, it’s best to stick – in general – with native Irish sources. Check out my YouTube Video on Cultural Appropriation for more info!

Is the Mórrígan Recruiting?

As part of our annual 6 month Intensive Programme, I answer questions from students who want to know more about the Irish Goddess Mórrígan, with whom I have had a solid working relationship for about 15 years now… and the last 13 of them as Her priest.

8 of those years were spent in daily service (and professional employment), managing Her primary sacred site at Rathcroghan, Co. Roscommon, and guiding visitors in (and safely back out) of the cave known as ‘her fit abode’; Uaimh na gCait, Oweynagat – the Cave of the Cats.

I’m going to occasionally share some of those answers through this blog. [Find them tagged with ‘Morrigan’, or ‘Class Questions’]

Iníon Preacháin asked: “Why do you feel She is showing such an interest in “recruiting” devotees (for lack of better terms) at this time?”

Okay, well, the short answer to that is: look around. The world needs Mórrígan devotees, or people who are doing the work for humanity and for communities.

The longer answer is, that it isn’t just at this time. She has been doing this for a long time, and she’s been preparing for a long time, and again, that’s my experience of it, but it also plays out in the lore.

Everybody talks about the Mórrígan as a battle goddess, and she absolutely is involved in battles because battles shape history and battles shape communities and wars are fought, the outcome of which is part of a much bigger picture, and it’s the bigger picture stuff that the Mórrígan is in charge of. In my experience.

And I think, though that is my experience, the lore plays that out, and her role as a prophet or goddess of prophecy is very much an integral part of that, but also her… I was gonna say ‘meddling,’ meddling is the wrong word, but her involvement in seemingly small things and small stories which end up playing a very big role in battles to come or in the outcome of certain battles or wars that are being fought, and changes.

She is a goddess of change.

At this time, we need somebody who knows what’s going on, absolutely, and she needs people on the ground doing the work that – y’know, she can lead the horse to water, but she can’t directly interfere with… I mean, she does directly interfere with people, with individuals, but she can’t shape things on a bigger scale herself. She has to do it through individuals. And I think that’s where the recruitment drive is coming from, but actually the recruitment drive has been going on for a long time. I think that it has become global, now, but this is not new.

This poem, it was one of my first calls from her. (Click to Read Poem)

It was written at Bealtaine of 2004. It’s from the Irish Witchcraft book, which was my first book, but actually she had been calling for a long time before that. I was tattooed with crows, for example, before this poem was written or that book was written. She’s been calling since, I would say, since the turn of the millennium. Since about 2000, there has been a very specific gathering of the forces in Ireland, on the ground in Ireland, around her sites, and the work that she has had me doing here has been to disseminate real information and education because that wasn’t happening back then. At all.

All through the 90s, there was a lot of shite about Irish traditions and Irish culture specifically, and very little that was real. Everybody was shit-scared of her, but really very little about her and certainly nothing of value about her was available to the general public – there wasn’t even the interest and the understanding that the source lore and the literature we have is so important to us now as modern pagans working with her. I mean, that just wasn’t there in the 90s.

Your average pagan now is, believe it or not, much better read and much more versed in the lore than your average pagan was back then. Just from the sheer availability, I think of it, with the coming of the Internet and the raised standards in publishing – and yes, they are raised, believe it or not again, you might not appreciate just how bad things used to be. There was a huge gap between academic research and the access that people could have to academia. Scholarship was very much far removed from the standard pagan community, except in small pockets and some individuals. And that was the teachers, never mind students.

So the work that she’s had me doing since she got her hooks in me is to try and bring some of that to the wider communities, and to teach people the importance of it. Now I’m not academic, I mean, I’ve studied psychology, but that was me going back as a mature student. The only other college learning I have is in art college, so that’s fuck-all useful to anybody, unless you’re artistic, which I am, or was at least, but…yes, so, I’m not an academic, but one of the things that she had me do was get my head around the literature and try and find ways to translate it. I don’t mean translate it from Old Irish – thankfully that work is being done but that is not my work, thank the gods, I’ve never had to learn Old Irish. Morgan Daimler is doing excellent work in that, poor Morgan, we’ll have her worked to death before she has the entire Ulster Cycle translated by the time I’m finished with her. And Isolde Carmody, who is one half of the Story Archaeology team, who you will hear lots and lots and lots about from me, has been doing sterling translation work too.

None of that work was being done at the time though, and the recruitment that we’re seeing now is just a step above that. It’s just where that has reached a kind of a critical mass where it’s spilling over into the wider world and really my feeling is that she was consolidating her base ground for the last decade and in the last five or so years things have kind of stepped up and moved on from that.

As ever, I’m wary of projecting my own stuff because that above has been very much my experience, but then as I started to travel away from my beloved isle and get out and about in the world, rather than everybody coming to me at the Cave and through Rathcroghan Heritage Centre – which is lovely and I much prefer, I have to say, I hate leaving Ireland, moan moan whine whine… Since I’ve started getting out and about in the world, I have noticed there is a mirroring of many people’s experience in that it’s not just my experience, it’s that now is the time.

There’s been a couple of organizations started up in recent years. The Coru Priesthood, for example, and I know some of our course members have started priesthoods in Texas and Connecticut, and eventually I will have to start one here in Ireland. I don’t want to be doing any of this work, to be honest. If I could get away with doing none of this work I would be totally getting away with that and living a much easier life, but my next project is going to be is a priesthood here in Ireland and I’m not sure what that’s going to look like, yet, but before of that I have a serious initiation I have to do, which again, I’ve been putting off because it’s scary.

A lot of that is going on here, and it is very much mirrored out in the world, and I think that the answer to it, to the question ‘why do I feel that there’s such an interest’, is because she’s so concerned with the bigger picture, and the bigger picture is fucked right now. Absolutely fucked.

Anybody in class (or reading this blog) who is not aware of just how fucked the bigger picture is on so many different levels – if you’re going to be on my Facebook, so you’ll find out very quickly if you’re not aware already… and awareness is the first key. It’s through educating ourselves that we understand the work that needs to be done on a big scale, but also on our doorstep and on ourselves.

Part of taking this course, I hope, is doing that work on yourself so that you’re ready then to do whatever work is needed of you out in the world.

[Author’s Note: this class was recorded pre Brexit, and pre Trump. And before Ireland had begun to step up and lead the free world with such fantastic examples of social justice and people power as the Marriage Equality Referendum, the Transgender Identity Bill, and our Referendum to Repeal the 8th Amendment. FYI.]

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The Mórrígan and Her Sisters

As part of our annual 6 month Intensive Programme, I answer questions from students who want to know more about the Irish Goddess Mórrígan, with whom I have had a solid working relationship for about 15 years now… and the last 13 of them as Her priest.

8 of those years were spent in daily service (and professional employment), managing Her primary sacred site at Rathcroghan, Co. Roscommon, and guiding visitors in (and safely back out) of the cave known as ‘her fit abode’; Uaimh na gCait, Oweynagat – the Cave of the Cats.

I’m going to occasionally share some of those answers through this blog. [Find them tagged with ‘Morrigan’, or ‘Class Questions’]

Iníon Preacháin asked: “Of Badb, Macha, Anu/Anand, Nemain, Fea, and some list Danu as well… do you feel they are all aspects of the Morrigna?”

Okay, so, ‘the Morrigna’ represents the plural, so yes, they are all aspects of Na Morrigna, as in the Great Queens – that’s what Morrigna written like that means.  I always make a distinction between na Morrigna, as in the plural, or the Mórrígan, ‘an Morrighan,’ the Great Queen, so that would be my feeling on it.

Like I said — in a previous blog post, see it here — aspects is not a term that I would use specifically.  I would see them as sisters, and some more closely related than others. In my experience.

Macha is, I feel, is the closest to her, and I have an interest and kind of perspective, I suppose, in Mórrígan and Medb, that’s — Queen Medb of Connacht —, and working with both of those very, very powerful figures at Rathcroghan for so many years. They very much work together in my experience and both of them feed into the sovereignty of Connacht, of the western province, in Ireland.

Macha is the sovereignty of, or represents the sovereignty of, the Ulster province in the north of Ireland, and Connacht and Ulster have a somewhat troubled relationship in the mythology. I mean, anybody who’s read the — Tain Bó Cúailnge —, “The Cattle Raid of Cooley,” will be aware, Ulster and Connacht have been enemies for a very long time.  So there’s kind of a lot going on there, and of all of those sisters Macha, to me, has alwas been the most, kind of fully formed and distinct from the Morrígan.  

Nemain, I think, is an ancestor, and I think that all of those deities that are there… and again, we will look at this in more detail over the course, but all of those deities, in a sense they may be aspects in the literal understanding of that word. BUT, they are all beings and deities in their own right as well.  So them being aspects of the Great Queen, I think that kind of feeds together and weaves together, but I think they’re working on different levels, if that makes sense.

So you’ve got this kind of top tier of being able to interact with all of those beings individually. You go down a little bit deeper into the root system and they start to blend a little bit closer together and you don’t get those kind of distinctive, individual personalities.  You go down deeper and they’re all kind of part of that same root, and then you go deeper again and you’re still in the ‘Irish zone’ at that level… but then the level below that would be the universal archetypal level, the level of the collective unconscious common to all humanity, that kind of ‘dark goddess’ level.

All of the names which we connect to the Mórrígan, under the banner of ‘Great Queen’, are connected at a deep level so, but we can (and do) also interact with them individually in the day to day. I definitely wouldn’t be a fan of – or allowed to, I’d get my arse kicked – lump them all together or just swap out one for another.

Yeah, don’t try that one at home kids.

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Faces of the Mórrígan – a Perception of Deity

As part of our annual 6 month Intensive Programme, I answer questions from students who want to know more about the Irish Goddess Mórrígan, with whom I have had a solid working relationship for about 15 years now… and the last 13 of them as Her priest.

8 of those years were spent in daily service (and professional employment), managing Her primary sacred site at Rathcroghan, Co. Roscommon, and guiding visitors in (and safely back out) of the cave known as ‘her fit abode’; Uaimh na gCait, Oweynagat – the Cave of the Cats.

I’m going to occasionally share some of those answers through this blog. [Find them tagged with ‘Morrigan’, or ‘Class Questions’]

Marjorie asked: “We all experience our gods differently, to some degree. Some of us experience Her as Many and some of us as One with multiple faces. Do you think one is more accurate than the other or, more importantly, is either perception more respectful than the other? To what extent do you think it matters?”

That’s a really good question, and we will go into some of this in the coursework that’s to follow, but my view is that… I personally deal with the Mórrígan, and the Mórrígan for me is a very distinct entity. I mean distinct as in distinct from Macha or Nemhain or Badbh, and those beings and goddesses seem more like sisters than a part of Her. To me.

Now, I completely agree, we all do experience our gods differently, and I also feel that the gods themselves can do whatever the fuck they like and appear however they like. I think that there is a certain amount of (human relational) shaping that has gone into the Mórrígan. So there is a particular form – or rather formlessness – that she takes with that specific guise that has been interacted with by humans.

My theory on gods is that, well…okay, so to go back a bit: I studied psychology in some depth and particularly Jungian psychology as every feckin’ amateur psychologist pagan has done. The reason for that is because it makes a lot of sense and it makes a lot of sense for our spirituality and Jung had a very kind of tuned-in attitude, certainly for his time, and a lot of the stuff that he was conceptualizing has become common parlance. So we often don’t even recognize how much of a contribution Jung has made to psychology and the study of the human mind and the human spirit as well, I think.

I work a lot with archetypes, and I was called a blasphemer for dealing with archetypal god energies on a panel last year. I was very, very bothered (furious actually) by this at the time, but I really didn’t understand that the American culture that the accusation was coming from had a very different understanding of archetypes than I would’ve had.

To me, an archetype is huge, and it’s complex, and obviously I’m not going to be able to just settle it down in just a few sentences. The crux of it is that there are roots and essential sources that I feel are part of the collective unconscious, as in the unconsciousness that is common to all humanity, and those sources are the archetypes, to a certain extent. Each deity stems in some way from an archetypal form, but it’s like they’re all from the same root, maybe, but when they grow in different cultures with different food sources and different light sources and different energy that’s fed to them and different care and cultivation, they grow into very different deities.

Each of those deities are plants, to use that analogy. Each of those plants or trees or whatever grows from the roots is different from each other, but when you trace them right down to the bottom of those roots, you get to the same source. So that’s a very simplified version of how I have always understood ‘deity.’

I think a good example of this the Mórrígan. Na Mórrigna – that is, all of the Mórrígans – but when you take the Mórrígan Herself and you look at Her as a ‘dark deity’ – again, for want of a better description – and you put that in the context of, say, other ‘dark’ deities like Cerridwen or Kali or Hekate, and, y’know, all of those goddesses I would say stem from the same kind of ‘dark goddess’ root or archetype or source, but they have obviously developed very, very differently in very different cultures, and they’ve all ended up being female. Make of that what you will.

Re gender and form… My experience of the Mórrígan is that she’s kind of nominally female. Her form is formlessness, as I’ve said, and she can take any form and does take any form. I think I coined the phrase ‘gender irrelevant’ in relation to Her – she can and does appear in any of them.

The general physical form that she appears to have in modern culture has become black hair, but actually the only description of her apart from her shapeshifting, the only real description of her – showing her essence, I believe – that we have in the lore is as a warrior woman who is carrying two spears and has red hair and red eyebrows and is wearing a red cloak and has a very strange horse, and kind of a chariot that she’s standing on. (See the Táin Bó Regamna video on YouTube.) That’s her base aspect, as far as I can tell.

But generally she just appears, if she appears to me at all, she appears kind of hooded, and like I said, formless, generally human-shaped unless she’s as a crow. But anyway, sorry, I’m wandering off a little bit. We will examine this in more detail through the course and through the content (and check the — Available Classes — for individual class downloads!).

So, I experience her as one being or entity specifically, with or without a face, and I have always interacted with her as the Great Queen. I don’t feel that that’s specifically more accurate than any other interaction or relationship with her, as long as that’s based on a relationship. I feel that if somebody has put the same amount or similar amount of time and effort into building a relationship with that deity as I have, and their perception is different than my perception, then I’m not going to say that mine is right or more accurate and theirs is wrong. I think, ultimately the gods, and our perception of them is often going to be different because we’re all different, and I don’t think that they have a genuine kind of physical, corporeal form in this world anyway. We are experiencing them through the collective unconscious, through ourselves and our connection to our own subconscious and our own unconscious with the collective unconscious. I know I’m kind of throwing a lot – I’m trying to encapsulate, like, literally years’ worth of theory on my part into a couple of minutes.

“Is either perception more respectful than the other?”

I feel that it’s disrespectful to swap her out, if that makes sense. So if you’re going to be dealing with the Mórrígan, and we will through the course – when we’re talking about the Mórrígan, I’m not talking about Macha, I’m not talking about Badbh, I’m not talking about Nemhain. I’m talking about the Morrígan, the Great Queen – and like I said, YMMV on that, and that’s fine, but when I say ‘the Mórrígan,’ that’s who I mean.

What I don’t think is okay is swapping out the Mórrígan, say in the lore, or in how we’re dealing with her or how we’re working with her, and just slotting in any of them into whatever kind of floats your boat at the time. I think that if she’s dealing with you, you’ll know whether it’s the Great Queen or whether it’s Macha or Badbh or Nemhain or Fea or Anu. Nemhain is a different thing, and Badbh is a different thing again, and Macha is definitely her own thing. But again, that’s my perception.

“To what extent do you think it matters?”

I’ve probably covered that? Build your relationship and you’ll see how much it matters because if you disrespect her… [laughter]

Sorry, that’s probably not very helpful, but that has been my experience.

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The Curse of Macha

Sometimes a Goddess fancies a change.

Immortality can get awful boring after a time.

So it was with the Goddess Macha. She decided she wanted a home, friends of her own, a family… and that’s how she ended up on the doorstep of a wealthy merchant in the mountains of Mourne.

She knocked, asked to speak to him in person, and when he arrived down to greet her she made her proposal. She would bring wealth, prosperity, and abundance to his household (being a Goddess definitely has its perks), but in return she wanted a quiet life – to live out her days undisturbed, as a mortal. So he had to promise her privacy, and secrecy, and respect, and the love would come later, she was sure. And so he did.

She turned thrice sun-ways on his step to seal the deal, and stepped into his life as a mortal wife.

The years trundled on and his household prospered, as she had promised it would. She brought abundance and wealth to his life, as she had promised she would.

Love even bloomed, and she became pregnant, as is wont to happen at times, when a man and a woman are in love and doing the things that people in love might do.

The merchant rose in status, and he began to receive invitations for them both to attend all the feasts, and all the fairs – invitations which she always declined, but he attended. Unfortunately, his appetites grew right along with his status, and he began to feast and fair too much, eating and drinking until the wee small hours, and sometimes not even bothering to go home between events.

Macha didn’t mind too much; she kept herself busy, and was delighted when the physician told her she was carrying not one baby, but two – twins!

One month, near the end of her pregnancy, her husband was off again at one of his fairs. This was a big one: the Samhain festival at the court of the King. The merchant paid his tributes and tithes, ate his fill (and more) in the camp kitchens, and contented himself with wandering around the fair grounds, chatting to people he knew, looking through stalls and market tents, watching the competitive events, gaming for profit or loss… and of course drinking. Lots of drinking.

He sat eventually, content to watch the horse racing, and soon there was a cackling crowd, placing wagers on which would win. After a heavy loss, perhaps to salvage some part of pride perceived lost, the wine-soaked sot began to boast that as fast as those horses were, his own wife could out-run any one of them. Even the horses of the King himself, which were known to be the best of the best.

Now, it didn’t take long for this boast to reach the ears of the King himself: for his horses represented his rightful rule, and any slight on them was a slight on his very kingship. He insisted the woman be fetched, and made to race against the best horse of his stable.

Warriors went out, Macha was made travel, and told she would race the next day (as it was a three day festival). She bawled and cursed her husband – and his drunken, pounding, head – all through the night, but it was no use.

She was stood in front of king and crowd first thing in the morning, with the horse lined up next to her. She sweated and swore, for the pressure was doing strange things to her heavily pregnant body, and it looked like mother and babies were in serious distress, to anyone with eyes to see.

The king held firm, and she was made to race – but before she did, she cursed every single man of Ulster, to nine generations on, with a spell that gave each and every one of them the pains of labour and childbirth, to strike them whenever Ulster was under attack.

Macha raced that day, and indeed she won, but the exertion brought on the birth and she died there at the finish. Screaming her curse to the last breath.

This is why Ulster men were in bed each time their province needed them; but sure, they are all stories for another day.

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Daily Practice as a Morrigan Priestess

So, as part of our 6 month Intensive Programme, I answer questions from students who want to know more about the Irish Goddess Mórrígan, with whom I have had a solid working relationship for about 15 years now… and the last 13 of them as Her priest.

8 of those years were spent in daily service (and professional employment), managing Her primary sacred site at Rathcroghan, Co. Roscommon, and guiding visitors in (and safely back out) of the cave known as ‘her fit abode’; Uaimh na gCait, Oweynagat – the Cave of the Cats.

I’m going to occasionally share some of those answers through this blog.

[Find them tagged with ‘Morrigan’, or ‘Class Questions’]

Shannon Duerden Thompson asked: “I’m wondering about what daily practices you’ve found to be the most valuable?”

Listening, to be perfectly honest.

My relationship with Herself is very much about…well, that – the relationship – and building that relationship to a point where there is, I feel, a pretty free flow of communication between us.

How that looks changes, y’know, I’m going to talk a lot about personal gnosis, and you’ll also hear me talk about imbas, which is a knowledge, basically, that I would receive directly from Her.

The daily practices that I found most valuable have been to take some time every single day to be quiet, and to listen, and to be aware of Her and Her presence in my life, and to take instruction from Her directly. Thankfully that (direct instruction) doesn’t happen every day, and when it does happen it’s usually a kick – and it’s not always through the daily practices, it’s often kind of a bolt from the blue.

Or, a kick up the hole. That happens a lot.

So the daily practice I feel keeps me in tune with Her. I do try and sit on some grass – now you may or may not have grass where you are, but you probably have some form of a tree, or something similar. I would suggest finding a spot that feels like Her to you.

There’s a simple technique that I’ve developed to Journey in the Irish Otherworld, and that’s often a part of my daily practice.

And as I’ve moved around, particular since I’ve moved away from Roscommon where I lived and worked for fifteen years, dealing with Her on a daily basis, I’ve had to find new ways and new places to connect to Her.

I have found one here that’s local to me (I’m down the south of Ireland in Munster now), but it is about exploring your local area and finding somewhere that feels like Her to you. That might change over time, and that might be different even on a daily or a weekly basis, or it might change and evolve as you get to know Her a bit better and start to hear Her more clearly.

I say ‘hear’ as in not necessarily physically hearing Her, just an awareness of Her. Making time and making space for Her to communicate… and even if she doesn’t communicate back every single day, I’m there. I show up.

A huge part of all this Irish Pagan stuff – and something that you’ll hear me say many, many times, over and over, until you’re fucking sick of the sound of it – is that you need to show up and you need to do the work.

Part of that is with the daily practice of just taking some time. And by some time I mean – it could be anything from ten minutes to an hour.  Generally it’s in the morning time, for me, before the house wakes up. I have three kids so obviously over the last twenty years of doing this (Pagan, generally) work I have had times when things are quite chaotic in the household.

Everybody is busy – shut up now with them excuses. There’s always something you can do. I’m just gonna be perfectly blunt here, and overshare with the world – there was a time when my children were small, that my daily practice was I would literally have to make sure the kids were safe and entertained, and then lock the bathroom door for five or ten minutes so nobody in the house could get in, to take some time on the toilet. That was my quiet connection time and my sanity – though it wasn’t always uninterrupted even at that!

But anyway, the point is that you can find some regular space in your day, even with mad work commitments, family responsibilities, a small baby… even with crazy stuff going on around you, you can find five minutes, ten minutes, every single day to make space for Her and to show up for Her, and to see if She does have any work that She needs you to do.

And sometimes you just showing up….I mean, obviously this can feed into daily meditation practice and all other kinds of good stuff that we know is necessary for our mental health, but usually put on the bottom of our priority list.

Are there other, more exciting and dramatic things that I do as a Priestess of the Mórrígan, as part of my daily practice? Sure there are! But if you’re looking to build a relationship with this Irish Goddess, start here, and prove yourself to Her this way first.

Taking that quiet time to connect is doing the work, it’s as simple and as complicated as that. It’s part of any warrior training, and it’s part of priesthood training as well, so sometimes that’s the first (and even the only) work that She needs you to do today.

And that’s okay.

(thanks to Marjorie for the transcription service from class, much appreciated!)

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Why Were There Only a Few Irish Witch Trials?

Excerpt from ‘A Practical Guide to Irish Spirituality’, by Lora O’Brien
2012, Wolfpack Publishers, Ireland.

Queen Maedbh (Maeve) Cheat Sheet

Here we’ll look at the basics on Maedbh, the ‘Celtic’ warrior queen of Connacht (yes, that’s the correct spelling – ‘Connaught’ is the later anglicised version) – her home, family life, relationships, ruling from Rathcroghan, burial, and the cultural inspiration she has become.

“How do you spell that?!”

Who was Queen Maedbh?

Queen Maedbh’s Family Tree

Meadb of Cruachan, daughter of Eochaid Feidleach, another of Conchobar’s wives, mother of Amalgad, Conchobar’s son, so that Conchobar was Meadb’s first husband, and Meadb forsook Conchobar through pride of mind, and went to Tara, where was the High-King of Ireland.

The reason that the High-King of Ireland gave these daughters to Conchobar was that it was by Eochaid Feidleach that Fachtna Fathach had fallen in the battle of Lettir-ruad in the Corann, so that it was as his eric these were given to him, together with the forcible seizure of the kingship of Ulster, over Clan Rudraidhe: and the first cause of the stirring up of the Cattle-raid of Cuailnge was the desertion of Conchobar by Meadb against his will.

Eh… why were all her sons called Maine?

Maedbh’s Mammy

Maedbh and her Lovers

The Síd at Kesh Corann

Fionn MacCumhaill, leader of the noblest band of Irish warriors, the Fianna, sat on the hunting mound at the Sidhe of Kesh Corran, taking in the sights and sounds that made his heart most happy.

His men were spread below him on this fine sunny day, ranging the fields and forests, their great hounds barking and baying around them as they brought down kill after kill. The Fianna would feast well that day.

Conaran however, who was the Sidhe (Otherworld, Fairy) King in those parts, was less than happy to see his old enemy in such a fine, untroubled mood. And with the rest of the Fianna busy hunting, he decided the time had come to do something about Fionn for once and for all.

Three of Conaran’s four daughters were nearby, although neither the men of the Fianna nor their chief could see a bit of them, because you never can see the Sidhe unless you are in their world, or they want you to see them in ours. The King called his brood – who were as ugly a bunch as you ever saw, and worse again – and told them what he wanted. Then, by his magical arts, he opened a door to their world in the side of the Sidhe mound on which Fionn was taking his ease.

After a while, the warrior chief climbed down to join the hunting party below, and was astounded to see the three sisters sitting spinning in a cave that he was sure hadn’t been there before he’d climbed up.

Now you couldn’t call any of these Ban Sidhe beautiful. Well, you could I suppose, but you’d be telling a lie if you did. Fionn though, was a curious sort, and wanted to see more – it might have been the whiskers he thought he could see on their faces? Whatever was driving him to it, he stepped inside the mound.

As soon as he passed the holly on the threshold, a weakness came over him, and he could no more lift his own arm than he could have lifted a whole mountain at the best of times. He tried to give the whistle that would warn the rest of the Fianna to danger, but he was so weak that all the sound he could make was a chuff like a baby falling asleep, and sure that’d warn nobody.

He was bound by the sisters with every knot and tie they could think of, and as each warrior came looking for their leader and stepped inside the mound, the same fate befell them. The Sidhe mound was filled only with the sounds of gently chuffing babies, until every single man of them was captured and bound the same way.

But their dogs were not. As each man entered the mound, ignoring the warning signs in the search for his leader, his hound refused, and soon there was a great pack of barking, baying dogs gathered outside.

Finally one of the warriors, the last of them left outside, had the sense to be cautious enough not to follow blind into danger. The hideous sisters watched Goll Mac Morna stand his ground outside, and decided that three against one was a fair enough fight for them to take him on. They were wrong, of course.

Though it was hard fought, Goll managed to chop two of the three into halves and bits; so there were warts and twisted fingers on one side of him, gnarled toes and crooked noses on the other. Panting with the effort of it all, he extracted (in exchange for her life) the firm promise of freedom from enchantment for the Fianna from the last sister, who was so terrified by then that her whiskers were all atremble, on both the outside and inside of those livery lips.

She kept her honour, and released each of the warriors to sit out in the sunshine and shiver until their strength returned. The doings of that day did nothing to ease the enmity between Fionn and the Sidhe King Conaran, nor his remaining Ban Sidhe daughters – nor even the animosity between Fionn and Goll MacMorna.

But sure, they are all stories for another day.

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